Greensky Bluegrass at Terrapin Beer Company in Athens, GA on Sep 28, 2019

image for event Greensky Bluegrass
description
After 18 years together, up to 175 shows per year, nearly 1,000 different setlists, six studio albums, and a litany of live releases, Greensky Bluegrass embodies more than just music for members Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [Mandolin]. Truthfully, it embodies an ironclad creative bond, familial brotherhood, and a lifelong commitment to fans. At this point, it goes without saying the band means everything (and more) to the Kalamazoo, MI bluegrass mavericks. So, with a wink and a smile, they offer up a cleverly titled seventh full-length, All For Money, in 2019. Hoffman dispels the obvious first: “Clearly, we aren’t a band all for money. We did it for romantic reasons such as love, catharsis, and because it mattered to us and the listeners. We wanted to have fun with the paradox of the title though. We’re truly blessed and humbled to have our dreams come true and do what we do. However, it would be easy to make decisions based on our needs to eat or the desires of others, but that’s not doing it for love. We love what we do, and we’re grateful for the love we receive in return from the people listening.” As time goes on, the guys continue to do things for the “right reasons,” and that mindset resonates louder and louder amongst a growing fan base. A live force of nature renowned for bringing rock ‘n’ roll showmanship to high-energy bluegrass, the group has sold out hallowed venues such as Red Rocks Amphitheatre and the legendary Ryman Auditorium in addition to igniting stages everywhere from Bonnaroo and New Orleans Jazz Festival to Austin City Limits and Outside Lands. Their unpredictable performances remain the stuff of legend attracting diehard devotees who typically travel far and wide to experience multiple gigs. In 2014, If Sorrows Swim bowed at #1 on the Billboard Top Bluegrass Albums Chart, while the 2016 follow-up Shouted, Written Down & Quoted cracked the Top 3. Along the way, they have also earned praise from Billboard, AXS, Westword, and more. On All For Money, Greensky once again aimed to progress. This time around, the musicians kept the show top of mind as they composed the music. “We have a motto where we want every show to be harder, better, longer, and faster,” admits Hoffman. “With All For Money, I felt like we were serving the performance more by writing and arranging material in a way we would intend to play it on stage. We tried to incorporate a lot of what we already do live, which is different for us in the studio.” They recorded March-May at Echo Mountain Sound in Asheville, NC. In the studio, they worked with longtime friend Dominic John Davis as producer. According to Hoffman, Davis offered a fresh perspective on “how to balance the studio and concerts.” Amplifying the sonic palette, signatures such as dobro tone, bass grooves, and banjo took the spotlight. The first single “Do It Alone” feels equally at home on a festival stage as it does blaring through your soundsystem. Backed by a robust groove, the song transforms traditional bluegrass instrumentation into a rich sonic backdrop highlighted by a mandolin awash in a trio of effects as well as rich echoed vocals and emotive lyrics. “I’d been trying to write a windows-down rock ‘n’ roll tune for a while,” explains Hoffman. “I got out an old guitar of mine, re-strung it, and immediately spit the song out. It’s meant to be an anthem. I ask myself, ‘Why do I do it alone?’ It’s because I’ve got a whole room of thousands singing at the top of their lungs with me. Whenever I write something emotional that might be difficult to sing, I’m reminded of the fact the crowd is there. Hopefully, it’s a reminder for other people as well and we all have something to chant together.” Hot on its heels, the intriguing and irresistible “Murder of Crows” takes flight on kinetic performances as it delivers an emotionally charged message and provocative narrative. “This is a song that Aaron and I wrote about disconnection, drifting apart, loss, and remorse,” Dave Bruzza reveals. “It also touches on a cry for help and how it was not heard in time. A friend told me crows had funerals. He explained that farmers used to nail a crow to the fence or barn door to get rid of them eating the crops. Thee birds would gather, pay their respects, and fly off never to return. It was interesting. I began to think why people disappear in our lives. It came together with the mysterious letter someone received, and it all made sense to turn this into a story.” Also originally penned by Bruzza, “It’s Not Mine Anymore”’ illustrates the group’s virtuosity with a “metal” spirit. Elsewhere, “Wish I Didn’t Know” hinges on a trance-y Mandolin passage that proves instantly hypnotic, and “Do Harm” taps into an upbeat bounce by way of an an off-kilter rhythm. Meanwhile, the title track spirals into psychedelic territory during a head-spinning two-minute midsection before culminating on an important statement. “It feels liberating to be honest about it,” he remarks. “With the title track, we were asking more of the listeners than we ever have, but the line ‘If you need a voice, I’m yours friend’ is meant for them.” In the end, all the right reasons continue to drive Greensky Bluegrass. “As songwriters and musicians, we have a need for people to be on board, and we’re not just regurgitating the same shit,” he leaves off. “We’re pushing ourselves every time. I hope they want to listen to the record and hear the songs live. I hope they know we’re doing this for us and them.” After 18 years together, up to 175 shows per year, nearly 1,000 different setlists, six studio albums, and a litany of live releases, Greensky Bluegrass embodies more than just music for members Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [Mandolin]. Truthfully, it embodies an ironclad creative bond, familial brotherhood, and a lifelong commitment to fans. At this point, it goes without saying the band means everything (and more) to the Kalamazoo, MI bluegrass mavericks. So, with a wink and a smile, they offer up a cleverly titled seventh full-length, All For Money, in 2019. Hoffman dispels the obvious first: “Clearly, we aren’t a band all for money. We did it for romantic reasons such as love, catharsis, and because it mattered to us and the listeners. We wanted to have fun with the paradox of the title though. We’re truly blessed and humbled to have our dreams come true and do what we do. However, it would be easy to make decisions based on our needs to eat or the desires of others, but that’s not doing it for love. We love what we do, and we’re grateful for the love we receive in return from the people listening.” As time goes on, the guys continue to do things for the “right reasons,” and that mindset resonates louder and louder amongst a growing fan base. A live force of nature renowned for bringing rock ‘n’ roll showmanship to high-energy bluegrass, the group has sold out hallowed venues such as Red Rocks Amphitheatre and the legendary Ryman Auditorium in addition to igniting stages everywhere from Bonnaroo and New Orleans Jazz Festival to Austin City Limits and Outside Lands. Their unpredictable performances remain the stuff of legend attracting diehard devotees who typically travel far and wide to experience multiple gigs. In 2014, If Sorrows Swim bowed at #1 on the Billboard Top Bluegrass Albums Chart, while the 2016 follow-up Shouted, Written Down & Quoted cracked the Top 3. Along the way, they have also earned praise from Billboard, AXS, Westword, and more. On All For Money, Greensky once again aimed to progress. This time around, the musicians kept the show top of mind as they composed the music. “We have a motto where we want every show to be harder, better, longer, and faster,” admits Hoffman. “With All For Money, I felt like we were serving the performance more by writing and arranging material in a way we would intend to play it on stage. We tried to incorporate a lot of what we already do live, which is different for us in the studio.” They recorded March-May at Echo Mountain Sound in Asheville, NC. In the studio, they worked with longtime friend Dominic John Davis as producer. According to Hoffman, Davis offered a fresh perspective on “how to balance the studio and concerts.” Amplifying the sonic palette, signatures such as dobro tone, bass grooves, and banjo took the spotlight. The first single “Do It Alone” feels equally at home on a festival stage as it does blaring through your soundsystem. Backed by a robust groove, the song transforms traditional bluegrass instrumentation into a rich sonic backdrop highlighted by a mandolin awash in a trio of effects as well as rich echoed vocals and emotive lyrics. “I’d been trying to write a windows-down rock ‘n’ roll tune for a while,” explains Hoffman. “I got out an old guitar of mine, re-strung it, and immediately spit the song out. It’s meant to be an anthem. I ask myself, ‘Why do I do it alone?’ It’s because I’ve got a whole room of thousands singing at the top of their lungs with me. Whenever I write something emotional that might be difficult to sing, I’m reminded of the fact the crowd is there. Hopefully, it’s a reminder for other people as well and we all have something to chant together.” Hot on its heels, the intriguing and irresistible “Murder of Crows” takes flight on kinetic performances as it delivers an emotionally charged message and provocative narrative. “This is a song that Aaron and I wrote about disconnection, drifting apart, loss, and remorse,” Dave Bruzza reveals. “It also touches on a cry for help and how it was not heard in time. A friend told me crows had funerals. He explained that farmers used to nail a crow to the fence or barn door to get rid of them eating the crops. Thee birds would gather, pay their respects, and fly off never to return. It was interesting. I began to think why people disappear in our lives. It came together with the mysterious letter someone received, and it all made sense to turn this into a story.” Also originally penned by Bruzza, “It’s Not Mine Anymore”’ illustrates the group’s virtuosity with a “metal” spirit. Elsewhere, “Wish I Didn’t Know” hinges on a trance-y Mandolin passage that proves instantly hypnotic, and “Do Harm” taps into an upbeat bounce by way of an an off-kilter rhythm. Meanwhile, the title track spirals into psychedelic territory during a head-spinning two-minute midsection before culminating on an important statement. “It feels liberating to be honest about it,” he remarks. “With the title track, we were asking more of the listeners than we ever have, but the line ‘If you need a voice, I’m yours friend’ is meant for them.” In the end, all the right reasons continue to drive Greensky Bluegrass. “As songwriters and musicians, we have a need for people to be on board, and we’re not just regurgitating the same shit,” he leaves off. “We’re pushing ourselves every time. I hope they want to listen to the record and hear the songs live. I hope they know we’re doing this for us and them.”
pre-sale & discount codes

For ScoreBig, use promo code ZUMIC10 for an instant $10 discount. (Cannot be combined with any other offers. Not valid on gift card purchases. Code must be entered at checkout to receive discount.)

LIMITED TIME OFFER: Save 10% on StubHub with discount code a FALL10. Offer valid through Sep 28 at 11:59 pm PT on the purchase of any eligible ticket. Offer redeemable only once per user for events in the U.S. and Canada only. Max discount $100. Some restrictions may apply.



The cheapest ticket option is usually the primary ticket seller, but sometimes you can find tickets below face value through secondary ticket sellers. Your tickets are not more expensive when you buy through Zumic, but we do earn a commission from our ticket partners to support our news and concert listings services.

сomments
Send Feedback
you might also like
image for article Austin City Limits Festival Announces 2013 Lineup
May 8, 2013
News Electronic-Rock Festivals Indie Pop Indie-Rock Pop Rock Rock Alanna Royale Andrew Duhon Arctic Monkeys Asleep At The Wheel Atoms For Peace Autre Ne Veut Blind Boys of Alabama Caleb Caspar Babypants D'Angelo Dawes Delta Rae Depeche Mode Disciples of Christ electric guest Electric Six Eric Church FIDLAR Foxygen Franz Ferdinand fun. Greensky Bluegrass Grimes Grouplove HAIM Holly Williams Houndmouth Hundred Waters Jacuzzi Boys Jake Bugg JD McPherson Jimmy Eat World Jon Spencer Kaskade Kendrick Lamar Kings of Leon Lionel Richie Lissie Little Green Cars Local Natives Max Frost MS MR Muse Neko Case Okkervil River paper diamond Parquet Courts Passion Pit Phosphorescent Pinback Portugal. The Man Purity Ring Queens of the Stone Age red baraat Reignwolf Roadkill Ghost Choir Savages Shakey Graves SHINYRIBS Shuggie Otis Silversun Pickups Tame Impala The Band of Heathens The Barton Hills Choir The Black Angels The bright light Social hour The Cure The Joy Formidable The Lone Bellow The Mavericks The McCrary Sisters The National The Shouting Matches The Verve Pipe Toro Y Moi TYPHOON Valerie June Vampire Weekend Vintage Trouble Walk the Moon White Denim Widowspeak Wilco Wild Belle X Ambassadors Austin, TX Texas ANDY Z Bear Mountain BOBBY JEALOUSY Brooke Waggoner CHERUB THE DYNAMITES FEAT. CHARLES WALKER COLIN LAKE COURRIER Court Yard Hounds Dan Croll DANA FALCONBERRY DEAP VALLY WILD NOTHING DESERT NOISES Divine Fits ENDURANCE GRACE LONDON Jc Brooks And The Uptown Sound Junip KRISTIN DIABLE & THE CITY LATASHA LEE & THE BLACKTIES LUELLA AND THE SUN Mona MY JERUSALEM Noah and the Whale NOT IN THE FACE PACHA MASSIVE PETER DISTEFANO & TOR PETERSON BROTHERS BAND PLAYDATE SHANNON LABRIE Shovels & Rope Smith Westerns SONS OF FATHERS Thao & The Get Down Stay Down THE DURDENS THE HENSLEY ENSEMBLE THE OHMIES THE PRESERVATION THE Q BROTHERS THE STAPLETONES HEAVENLY VOICES CHOIR THE WARRIOR GOSPEL BAND TIM AND THE SPACE CADETS WITH MOTHER FALCON TRUE BELIEVERS TWIN FORKS Tyree Morris & Hearts of Worship WHISKEY SHIVERS WICK-IT THE INSTIGATOR Wild Cub WILD FEATHERS
1
733

Hand-Picked Music for Your Taste

Follow artists, discover new music, and personalize your music experience.
JOIN US
Registration and login will only work if you allow cookies. Please check your settings and try again.

OK